Mrs. Elizabeth "Lizzie" Hoodoo Brown, a widow living in Leadville, Colorado in the 1880s, was known for practicing the 'black arts'. In fact, it was often said that bad luck and death followed her wherever she went. Her husband, Hoodoo Brown, was a gambler like the man who ran the Dodge City Gang but it isn't certain that he was the notorious outlaw.
The pair travelled, gambling, conning and likely robbing to support themselves. During a high stakes poker game one night in Buena Vista, an argument erupted that Hoodoo and another gambler, "Curly" Frank, decided to settle with their six-shooters. Both were mortally wounded. They were, certainly unhappily, buried in the same grave.
Elizabeth returned to Leadville, where she worked as a prostitute and conjure woman. She's said to have drank heavily and to have been most unpleasant when she did.
“There was a time in the history of Leadville when Mrs. Brown was one of the reigning belles of Leadville’s Tenderloin District,” a Leadville paper reads. “Lizzie wore as fine dresses and big sparklers as any dame of the row.”
By 1885 rumors that she was in league with the Devil were rampant and she was accused of wrecking havoc with her witchcraft on more than one occasion. One
man went so far as to chop her black cat in half to break a spell. It's said that was the only time one of her spells was broken.
She lived in Leadville until her death in 1901 and was buried in an umarked grave in St. Joseph's cemetary.
For more: “Mining, Mayhem and Other Carbonate Excitements—Tales From a Silver Camp Called Leadville.” by Roger Pretti
Notorious Outlaws of the Wild West, Outlaw Americana artist, Michael O'Neill and Lonesome Liz.
About Michael O'Neill
Showcasing a new collection with a previously un-released Townes Van Zandt song as the title track, this singer/songwriter with a “roots-rock” history and a soulful ease carries his listener into a time and place reminiscent of steel strings, guitar heroes, and great story-tellers like Johnny Cash and Willie Nelson. One of 13 children, he got started in music early. At the age of 24, he cut his teeth opening his first tour for a then-unknown band called U2.
By the time the tour ended in Los Angeles, O'Neill found himself signed with legendary manager Don Arden, (father of Sharon Osbourne). O'Neill put together a band that featured a young John Shanks, (now superstar producer of Sheryl Crow, Alanis Morrisette, Vertical Horizon, etc.), Kenny Gradney (Little Feat), and jazz saxophonist, Boney James.
He spent the better part of the next ten years touring with the likes of Stevie Ray Vaughn and penning songs with Bob Weir, Steve Cropper (Booker T. and The MG's), and Jason Scheff (Chicago).
Part country crooner, part haggard storyteller, O'Neill makes a noise that is refreshingly classic.
By the time the tour ended in Los Angeles, O'Neill found himself signed with legendary manager Don Arden, (father of Sharon Osbourne). O'Neill put together a band that featured a young John Shanks, (now superstar producer of Sheryl Crow, Alanis Morrisette, Vertical Horizon, etc.), Kenny Gradney (Little Feat), and jazz saxophonist, Boney James.
He spent the better part of the next ten years touring with the likes of Stevie Ray Vaughn and penning songs with Bob Weir, Steve Cropper (Booker T. and The MG's), and Jason Scheff (Chicago).
Part country crooner, part haggard storyteller, O'Neill makes a noise that is refreshingly classic.
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